The Grand Ball
The personal diary of Darig,
son of Corwin, pt 12
So
the master class in swordsmanship is on today, in the end eight candidates plus
my two, we will not after all need to expand the training hall. Each one
arrives accompanied by an elder. They vary from a young Seraph who looks like a
seven year old to Jurt, Mandor’s
little brother who looks like a sulky eighteen year old.
Those
who already know which blades they favour can select an appropriate blunt. Jurt is directed to the lightest foil by Despil, his older brother. Ibemo
has little knowledge of blades but an aptitude for unarmed combat, After a
short pass of arms I give him the blunt of a two handed falchion which best
suits his style.
Lacertin of Minobee is a
skilled swordsman for his age, on a par with Elektra; Tajal
of Minobee and Dinu of Vaal are next in skill with Haley of Jensen matching them
in skill with a graceful style which is pleasing to see. Uryan
of Seraph is disadvantaged by his size and lack of strength but well drilled
and quick. Cerdic of Taud
is strong and tries to trick and bully his way through. Jurt
of Sawall does not even try to use such talent as he
has and seems almost wilfully unwilling to learn – I select a marginally
heavier blade for him as such style as he has suggests edge over point.
I
first run a simple progression ladder,
I
put them into pairs to test some of their tactics: Dinu
and take to it naturally; Tajal and Ibemo work together but not quite as well; Lacertin and Uryan do quite well
with Lacertin shouting and whirling his sword, taking
all the attention and then Uryan stepping in quickly.
Jurt is hopeless and Elektra is less patient than her brother. It is
far the hardest pairing; he is unwilling and she shows such contempt that she
does not even use him as a meat shield! Though I have few rules, there are less in battle. Cerdic tries
to cheat, Elektra does too but only to put an extra
hard blow in on her brother at the cost of the fight.
In
Circle of Treachery
At
this point
As
I prepare to teach groups I am aware first of a disturbance in the onlookers
and then of screaming, which seems to come out of the walls and to be in Melvyn’s
voice. No sooner has that ended than Ibemo starts a
brawl with Cerdic, apparently in response to the
insult ‘third cast’. Though I try to calm things down Aelfric
of Taud, Cerdic’s companion, insists on making a challenge to Margrath. As the challenged, Margrath
chooses sorcery, apparently an unexpected answer. Despil
and Bela of Vaal stand as Margrath’s seconds.
After
this the rest of the class is almost peaceful, group works and individual
pointers seem to go well, though Jurt has to be used
as a handicap – even given extra padding and allowed to use his aggression, he
struggles. He seems to hate losing but hates taking advice even more.
Interestingly, in group fights Elektra will defend her brother fiercely unless
she gets the chance to put one on him herself. On the whole,
a successful class.
From
there we go to bathe and dress for the Grand Ball, we enter in reverse order of
precedence by the time that I am allowed through the place is full,
The
first order of business is the announcement of
Orlok of House Spandrel is then brought before Gus, in the form of
a 7 foot Lizard he towers before the King. He is being banished but the
whispers around me say not for long, they can always use an assassin!
Imperial
Violet of Spectral is the next to be judged, he grovelingly
begs forgiveness for the assault upon
After
the judicial process is over, Rolovians of Jesby comes forward to announce that Sorpovin
of his house has vanished would people please look out for him.
The
next order of business is for us to be presented to Gus, the security is
strict, each person is frisked twice by first a Rimlord
then a demon as I approach I get this treatment and they even find the knife
concealed in my boot. Then Belissa of Minobee makes a statement about security and extra search,
and slips me a dagger, my own that she won in a wager. The plot thickens only a
little.
The
demons of his guard are fearsome, I would not like to take more than one of
them armed only with a dagger and their leader carries a chain-mace set about
with spells of ruin.
As
I kneel before the King a descending scream comes from above – no distractions.
I launch myself, blade first, nailing his head to the throne through the eye
socket, black ichor drips over my hands and Augustus Swayvil crumbles to dust.
Despite
the speed of the attack the demons are almost upon me, but as Gus dies they
freeze in place. I spin, ready for desperate defence, but they bow before me,
thank me and their leader hands me the amazing mace. (It is like no weapon I
have ever used, it would take an age of practice knowing that any slip would
take one of your own limbs clean off, I doubt I will ever use it but it is an
interesting prize.) With that the demons just fade away.
Servants
and demons move forward, brush the yellow dust that was Gus from throne and
take it away, leaving him as powder on the dance floor. As water is brought for
me to wash my hands and a clothes-brush for my uniform, the dancing commences,
grinding the remains of Gus into the floor, like a combination waltz and
sand-dance.
From
the far side of the room Benedict is glaring at me with cold fury, I go over to
speak but get the dressing down of a junior, dismissed from my post as his
deputy and told that further sanctions will be taken when we are back beyond Ygg. He tells me that my training was not for me to become
an assassin. I click my heels and leave, there is nothing to say. Caine is talking to Benedict and Cymnea
and Mandor lead me away. Behind me I hear the sounds
of excitement and horses' hooves?
Mandor takes me to an ante-room and pours me a drink, thanks me for
freeing them from a tyrant. He is talking about the implications, those who
were close to Gus, already weak, have become
irrelevant. Cymnea and Caine
join us; Benedict is not about to change his mind. I knew that I had been kept
away from him but he was there when
Caine says that whilst he may not like her he has a great respect
for Cymnea and she may find a way to sort this before
we leave.
On
another topic he expresses his doubt that Corwin was my father, he was there
when Oberon expressed a doubt. Thinking back to the Hall of Memories, I ask for
the history behind the battle and who bore the flag with the red dragon on
green – I have identified all of the other banners.
Caine says that after all this time he cannot answer the second
question but that the war had come about because Corwin had threatened Amber
with cannon so they had attacked his stronghold of Avalon in a pre-emptive
strike in alliance with Faerie. I will need to talk to their ambassador.
We
make a move to return to the festivities when Suhuy sweeps
into the room, pointing out cracks in the ceiling that are not just in the
building but in the very fabric of reality. He asks for suggestions for a
divination to find the cause. I say that
I
meanwhile am sought after for thanks, for congratulations on my skill as an
assassin (from House Spandrel, a compliment of sorts) and to dance. So I find
myself on the dance floor with Dara. She is seeking
my intervention with Corwin, when he appears, but who I have not met since he,
apparently, placed the silver rose on my crib and, though I do not mention my
increasing doubts as to my paternity, I admit that I doubt my influence.
My
influence with Benedict is also not something to rely on at the moment and
there is the issue of some murdered servants, he was very fond of them. She is
concerned as to what plans Mandor has for Merlin and
she would like to return to Amber as her place in Chaos will be precarious.
Though I too was fond of the servants I do not bear a grudge that would refuse
her the chance to return.
Suhuy says that he knows the house that can help – Alhazred, masters of demonology. I don’t think this will be
pleasant!
The
next part of the evenings ‘entertainment’ is Akira of Sundiata,
who has apparently shamed herself beyond redemption by losing a duel to Melvyn.
She reads a poem then commits seppuku –
disembowelling herself with a knife, releasing green
smoke whilst one of her house beheads her. It seems a waste.
Suddenly,
from above I hear Melvyn scream! Instinct screams at me to bring up the
Pattern; sense and training overrule this. Right across the room a viscous
green liquid is pouring down in front of Sorashi, who
is clutching at her eyes. Even as this happens the
liquid attempts to take the form of Melvyn, sort of distorted and incomplete –
I am not sorry that I am not seeing it up close. Melvyn seems to have shed his
eyes, but amidst the hubbub even my loudest cry would not reach
Emir
Ali of Alhazred has been found and has been asked
what they want in exchange for sending me back to make the prophecy. They are
not worried about the cracks in reality as they, unlike most houses, are well
able to survive in the Abyss.
What
they want is a place among the Rimlords. As this is
not something that can be just given to them, Suhuy
calls for a meeting of the Star Chamber. Ali, Suhuy, Caine and I are led to the balcony to watch the
proceedings. There is a space on the Rim as Jesby
have resigned. Mandor wants Pheon,
Jensen or
I
am give a few moments to write an ‘in case of my death’ letter. Then I am led
through Chaos to a door which leads to a blasted heath and a ring of grim
ancient stones, open to the bleak expanse of the Abyss. Among the stones stand
six members of house Alhazred. I stand forth and they
start their chant, calling on Yog-Sogoth and Umr-At-Tawil, skin-crawling names half familiar as if from
some dark dream.
From
out of the Abyss come a stream of protoplasmic bubbles,
surrounding me, swallowing me. Clammy, stinking, unwholesome, they envelop me.
I fall, lost in time, lost in space and screaming.
Light
approaches, first a dot, expanding into the view of the Throne room of Chaos. I
use a swift glamour to put myself in my full colours. I see the scene just as
it was in the Hall of Memories but now I look out from above the Throne. The
words come to me, “Augustus Swayvil King on high… In
your dotage and conceit, Die with my dagger through
your eye!”
I
am falling again, the bubbles are gone.
I
hit a floor and roll on instinct, my shoulder taking the blow. I am in a
corridor. The walls about me are hung with watches, clocks, sand glasses and
other things less recognisable which yet appear to be time-pieces. On the floor
beside me lies an unfamiliar dagger, a curved thing, looks like it is part of a
dark priest’s regalia. There is a door to one side, locked, the corridor curves
away to the other side.
I
know this place, again what I have seen in the Hall of Memories, I take the
dagger and make my way down the corridor. At a cross roads I see a figure – a
bulky sandy haired figure – he challenges me! It is a young Oberon, not Gerard,
they always said it was the closest resemblance,
partly due to the colouration, to an extent all of us have some look of Oberon.
I introduce myself as a scion of Barimen, which
puzzles him.
Before
I can cause further confusion, a voice rings out of the shadows of the corridor
behind him, announcing himself as Ismail of Abal. The form is that of a blob of darkness but armed with
two swords, it attacks Oberon and he is overmatched but as he falls back to the
crossroads its flank is exposed. I only have a dagger but, unseen and well timed, my attack distracts Ismail,
giving Oberon time to slay him.
Abal? I think of the
Oberon
and I hurry on to his rendezvous with his father, who can explain. Though he is
even more puzzled when I cannot change form, even partially, to cross an area
of burning stones. Though it vexes him he chooses a path that I can follow.
After a time we come to a place that I know, the Clock of Doom. In its shade waits (a much younger) Dworkin,
accompanied by a man and a woman. The clock reads Hierophant, Emperor,
For
a moment Dworkin watches me then pronounces, “Begone to your own time future ghost”.
The
light changes, the world spins, the clock changes to World, Judgement, Sun.
Even as I land in the mud at its foot. Clank! It turns to Judgement, Moon and
Fool. Full length in the mud at my feet lies a man’s
body – Melvyn, he lives!
Above
me a raven caws with a harsh “Har! Har! Har!”
Clank!
Fool
turns to Hierophant and Suhuy appears. He helps me
lift Melvyn – the man has been blinded, his eyes gone. Without a word we lift
the body and carry it a distance through Chaos. Through the fog a door looms,
it is set in the door of a ruined church.
Suhuy says that he will care for Melvyn and indicates that I should
go through the door but it is not Suhuy’s chapel but
the Grand Ball, the evening winding down, half a dozen couples, or variations
on that theme, are still in the dark corners. My cousins are still there. I
cross the hall, collecting a large drink on the way. The cracks have gone as if
they had never been, which of course they hadn’t.
My
cousins seem pleased to see me; apparently I missed the arrival of Aunt Fiona
and much else beside.
I
shed my ruined tunic and, out of a sense of wanting to end the evening, I dance
with Sorashi as the last remaining musicians play Danse Macabre. Without even the thought my glamour dresses
me in my own colours.