The Resistible Rise of Magnus Matricide

An Interminable Opera in an Indefinite Number of Acts, Scenes and Musical Interludes

 

 

Cast                                           Actor

Abenalmao, Caliph of Abal, Marshal of Chaos  Wilmot Bragg

Abramelin, Archduke of Sawall                      Mandor of Sawall

Arachne, Beldam of Ascaris                           Ariadne of Ascaris

Art mac Daghda, Lord of Barimen                  Melvin of Barimen

Borman, Chairman of Karm                             Deling Frooki

Cleopatra, Regina of Ophir                            Sally Bright

Cymnea, Queen of Amber                              Cymnea of Ascaris

Dagobert, King of Lanfranc                           Kondo Javintorin

Endora of Helgram                                        Verona of Helgram

Fatima of Abal                                             Indira Gabardoyo

Hess, Chairman of Karm                                 Herman of Karm

Hinkon, Khan of Ku’urkil                                Hasdrubal Fantomay

Juan, President of Peron                                George Nonsuch

Lucanus, Kaiser of Diptera                            Clausun Nimitor

Magnus, the Young Pretender                         Norbert Crane

Meddle of Chanicut                                       Onesipherous Marsh

Morwenna of Protean, High Queen of Chaos    Arcadia Wyvern

Orderic, King of Lanfranc                             Homer del Greco

The Portent Phantom                                     Darig of Amber

Psychomorpha, Kaiserin of Diptera                 Sorashi of Amber

Renfrew, Pfalzgraf of Zigo                           Hector of Zigo

Reposh, Cardinal of Amblerash                      Pandit of Amberash

Said of Abal                                                Apok Lazario

Scanderbeg, Cardinal of Amblerash               Victor Hulitt

Siegfried, Hochmeister of Zephyra                Zorn Capybara

Skuld: 3rd Norn                                            Constance of Amber

Titus XLIII, Earl of Groan                           Titus of Groan

Titus XLIV, Earl of Groan                             Titus of Groan

Titus XLV, Earl of Groan                               Titus of Groan

Titus XLVI, Earl of Groan                             Titus of Groan

Titus XLVII, Earl of Groan                           Titus of Groan

Tybalt of Karm                                             Rikard of Karm

Urdr: 1st Norn                                              Agnes Dilkes

Verdandi: 2nd Norn                                        Vera Lynn

William of Amber                                         William of Amber

Yusuf of Abal                                               Donatello the Incredible

Narrators and Rumours                                 Dworkin of Amber, Suhuy of Winter

 

The essence of theatre portrays the drama in prose and song but without magic to provide the special effects. For example, the duel between William and Tybalt uses images cut from wood to portray the Pattern and its Chaos equivalent, and the destruction caused by William’s use of Pattern is conveyed by a flapping black sheet born out by actors in black to envelope the stage and bundle the protagonists away while eerie screams echo offstage.

 

Actors in italics have been brought from out of Shadow to play the various parts, which is good, because part of the verisimilitude demands that when a character dies on stage, so does the actor. Others are played by current members of the Thelbane typically portraying ancient members of their own houses but some, such as Cymnea and William, play themselves.

 

************

[Constance is called away almost immediately to play the role of Skuld in the opening scenes of the Opera.]


The Master of the Revels, Laird Tobias of Unman, announces a Royal Command performance of a new Opera, the Resistible Rise of Magnus Matricide – a fiction but based on a true story. The High King acknowledges Tobias’ bow with a grunt but seems deeply uninterested and soon falls asleep.

 

Act I

1)                  Suhuy and Dworkin open as rumour, speaking in prose.

Suhuy: ‘Elsewhere it is related how the traitor Dworkin with his son, Oberon, stole the Left Eye of the Serpent and fled beyond the Far Realms to the ends of the Universe to create Amber, in opposition to the Courts.’

Dworkin: ‘On learning of the theft of the Eye by the Keeper, his kinsman, and of the death of Ismail the Great of Abal, the greatest of the Rimlords and his personal friend, High King Daghda Barimen died of pure melancholy, to be succeeded by Morwenna of House Protean. She, vengeful Queen, ordered the hosts of Chaos to carry war to Amber, led by Abenalmao of House Abal, first among the Rimlords, eager to avenge his progenitor.

Suhuy: ‘But Chaos was defeated, blasted by Dworkin’s Eidolon of Power, and the sad remnants of the Chaos army routed back past Ygg…’

Dworkin: ‘…which is when and where we begin our tale…

 

2)                An ash tree on a blasted heath – 3 eyeless crones crouch over some slaughtered animal.

All: ‘Fair is foul and foul is fair: hover through the fog and filthy air.’

Urdr: ‘By the pricking of my thumbs,

Something wicked this way comes.’

Verdandi: ‘Magnus, that shall High King be.’

Skuld: ‘Magnus, that shall slay his Dam.’

Urdr: ‘Magnus, that shall topple o’er

Amber from its lofty perch.’

Verdandi: ‘Magnus, who dies thereafter.

Skuld: ‘Slain by the hand of…William?’

Urdr: ‘What? My ears, my brain amaze!’

Verdandi: ‘Skuld, it doth not even scan!’

Urdr: ‘Sister, misread you the signs?’

Verdandi: ‘Mistook you the chaudron, for

Some more wholesome tiger’s part?’

Skuld: ‘Sisters, unfairly you do me down;

A tiger’s parts’ I know from

Other entrails; I read true,’

Magnus falls by Will’m’s hand.’

Urdr: ‘Yet by Darig’s knife he dies.’

Verdandi: ‘True – see how the liver lies.’

Skuld: ‘So how should we read such signs?’

Urdr: ‘Such a mess of offal? Not

I, tis beyond this Norn’s ken.’

Verdandi: ‘But yet Magnus we must school;

And I hear his tread. Oh haste!’

Skuld: ‘Nothing say to Magnus yet’

Til we these signs unravel.

Of this speak not! – Soft, he comes!’

 

3)                Enter Abenalmao, Yusuf and Magnus, singing about the recent disaster. Yusuf and Magnus assure Abenalmao that he could have done nothing more and without his personal valour there would be none to carry word back to Chaos.

Magnus: ‘But what are these who await?

Seeming wither’d and so wild?’

Abenalmao: ‘These sweet ladies be the Norns,

If my guess goes not awry

But soft, they speak…’

Urdr: ‘…Hail to thee,

Worthy Abenalmao, who

Returns from war to reap the

Reward of your valiance

For House Abal and yourself

By command of Chaos’ hordes’

<Urdr exuents left>

Yusuf: ‘Tis true! How many great names

Might now lie dead ‘pon the field

But for thy good leadership.’

Magnus: ‘In the Thelbane are none of

More worth than Abenalmao.’

Abenalmao: ‘Kinsmen, your words are too kind

But let us hear the next Norn

For proffer’d wisdom spurned

Is folly deep. Soft, she speaks…’

Verdandi: ‘Yusuf! Of Abal, Caliph

After Abenalmao’s raze.’

<Verdandi exuents left>

Abenalmao: ‘’Tis true! My wish has been long

That you be Caliph after.’

<Abenalmao and Yusuf exuent right>

Skuld: (aside to Magnus): ‘All hail Magnus! That shall be

King of Chaos hereafter.’

<Skuld exuents left, leaving Magnus stunned…>

 

Aria by Magnus, he marvels at the prophecy, hardly believing it possible that he might become High King, yet recognising that in his veins runs the ichor of the Yellow Emperor; he remarks that he will maintain a ‘fair face’ to Abenalmao for the moment, as evidently House Abal retains its position as the foremost House within the Courts. He will keep his thoughts private but yet he will not be swayed from his destiny.

 

Interval – A [Hugo escorts Constance to rejoin Sawall’s box.]

 

Act II

1)                  Abenalmao comes before High Queen Morwenna: she asks pleasantly for tidings of the War against the heretics, Abenalmao blusters that at first the war went well, that he had pinned Oberon and Dworkin to a mountain fastness and laid siege, but then allies appeared and took Chaos in the rear.

In a Herculean effort, Abenalmao managed to redress his battle lines to face the newcomers from the Far Realm of Faerie and, though losses were great, the Fae were beaten off, but then the heretics wielded a new power imbued within an Eidolon scrawn by Dworkin using the stolen Left Eye of the Serpent. The energies of this Eidolon the forces of Chaos could not withstand. In vain Abenalmao tried to keep the troops in the field but none dared face the fires of the Eidolon and Abenalmao had no choice but to join the rout to preserve such as was left of the Queen’s army.

The Queen asks after Titus, 43rd Earl of Groan; Abenalmao replies that he died with his troops, alas; then she asks after Tubal of Gurney, Mercedes of Benz and Frolic of Utter, to each Abenalmao replies that they died in battle.

Queen Morwenna: ‘How is it that all these great lords expired

In battle most valiantly but you,

My general, return to me unharmed?’

 

Abenalmao now realises where this conversation is going. The Queen observes that a general who ran from the field to save his hide would disgrace his house, she then dismisses him courteously before departing stage left.

 

2)                Enter Magnus: Abenalmao observes to Magnus that the Norns’ prophecy is now clear and he shall have his reward for his valour on the battlefield, but he can redeem his honour and ensure that House Abal takes no censure for his failings; Magnus then gives Abenalmao a vial of poison which he swallows after a moving aria.

 

3)                Magnus brings news of Abenalmao’s death to House Abal; Fatima and Yusuf sing a stirring duet about Abenalmao, Yusuf’s verses regarding vengeance and how the pursuit of vengeance against Abenalmao’s nemesis (does he mean Amber or the Queen?) will show the Thelbane that Abal is still worthy of respect; Fatima’s verses are more measured and political, saying her priority is to work with the powers that be to maintain Abal’s influence on the Rim; the House acclaims Fatima as Calipha; Yusuf kneels before her and swears fealty.

 

4)                Fatima seeks audience with Queen Morwenna in a conciliatory mood, promising undying loyalty of House Abal, laying Abenalmao’s suicide wholly on personal melancholy at his failure in the field; but the Queen is no mood for conciliation and, breaking with tradition, inflicts retribution on House Abal, breaking their power and demoting them to the lesser houses, she dismisses the shocked Fatima from her presence and forbids her or anyone from House Abal from soiling the Rim with their stench.

 

5)                Yusuf and Fatima intrigue over Abal’s lost Rimlord status; Fatima swears vengeance upon Morwenna; Yusuf tells her he has a friend who is sworn to help Abal – enter Juan, President of House Peron, who swears faithfully that he will bring about the fall of Morwenna from her lofty arrogance and shall remember Abal’s friendship after.

 

6)                The Council Chamber: the Queen’s action provokes disquiet among the Rimlords, who argue that none of them are safe from her caprices; Juan of Peron argues that she has been driven insane by the unrestrained shiftings of form practiced in House Protean and whips the other Rimlords in to a frenzy; when Morwenna joins her Rimlords in Council she is murdered by her cabinet, with the sole exception of Juan who alone puts his dagger away unblooded – then all the 6 Rimlords in turn: Juan of Peron, Scanderbeg of Amblerash, Cleopatra of Ophir, Orderic of Lanfranc, Titus of Groan and Siegfried of Zephyra sing regarding their hopes and aspirations, all ending with the refrain ‘But who shall rule the Thelbane?’

 

Interval – B [Magdalene of House Karm visits the Sawall box and receives rough treatment from Julian’s family – William and Constance escort Magdalene back to the Karm box where Constance talks briefly with her father.]

 

Act III

1)                  Abstract scene: 6 Rimlords play musical chairs, with each loser: Scanderbeg of Amblerash, Cleopatra of Ophir, Orderic of Lanfranc, Titus of Groan and Siegfried of Zephyra, singing a bitter aria, the refrain of which states they are struck down by Morwenna’s curse for spilling the ichor of their High Queen, to whom they had all sworn fealty. 1 survives, Juan of Peron, who goes straight in to an aria in which he smilingly expresses his utter surprise at his acclamation as High King of Chaos – among his policies, he states non-pursuit of fruitless war against exiled houses, such has destroyed so many Lords and Houses of the Thelbane.

 

2)                A duet between Fatima and Juan in which she observes the sudden vacancies in the Rim, angling for Abal’s restoration; Juan asks what Abal would do when restored and Fatima replies that her entire house is passionate about renewing the war against Amber, to avenge Ismail the Great and vindicate Abenalmao; Juan smiles and sings a seductive aria in which he uses many empty phrases to say very little.

 

3)                Juan appoints new houses to the Rim: Helgram and Chanicut, and among the extant houses he warmly welcomes in particular Lucanus of Diptera ‘For right well we know your mind and is one with ours in desiring peace with Amber.’ Fatima demands Juan makes good on his promises but he refuses to restore Abal as Rimlords because they are too beloved of war and prophecies that House Abal is doomed to dwindle and die.

 

4)                Debate among Rimlords: 2 factions, the Doves, led by Lucanus of Diptera, supporters of Juan’s negotiated settlement, and the Hawks, led by Borman of Karm and Victoria of Hendrake, who promote the continuation of the war – the Doves are clearly ascendant and Borman observes that discretion shall be his watchword and for now he will dissemble and make pretty words for peace, but that one day House Karm shall make war on Amber and the heretic city shall fall

 

5)                Juan negotiates a peace with Amber: he discusses matters with leading Rimlords: Borman of Karm, Lucanus of Diptera, who suggests Cymnea of House Ascaris, a Dipteran minor vassal house, as a potential bride for Oberon – she and Dworkin’s brat, Oberon, knew each other from youth and should prove amenable.

 

6)                Cymnea takes a tearful leave for Amber, fearful of what to expect in the Ordered Lands, she is accompanied by an entourage of Chaosites, including several members of House Karm, including Borman.

 

7)                Yusuf enters from left and confronts Fatima, to be joined by the rest of House Abal: with her policies in tatters and with no hope of returning Abal to its rightful place she is given poison by her house, which she takes after cursing her own house most viciously, that they shall dwindle to nothing until finally snuffed out at the hands of the blood of Amber; Yusuf is acclaimed Caliph in her place.

 

8)                Yusuf intrigues with Magnus, vowing that Abal will support Magnus as High King if he will restore Abal to glory when he comes in to his pomp; Magnus replies that Yusuf’s pledge is intemperate as Juan’s position is strong thanks to his successful negotiation of the Amber question, but yet the time may come when Magnus may hold Yusuf to his word.

 

Interval – C [William is called for his scenes – he is ambushed by Bo of Shang en-route with Hugo, Psychomorpha distracts him but he is saved by De Lambre, who has entered illegally – Hugo comes for Mandor later in Act IV to play the part of Abramelin.]

 

Act IV

1)                  Borman of House Karm returns from Amber, denouncing the perfidy of Oberon who allowed his son, Osric, to murder 3 members of Karm in Amber: Gustav, Anoxia and Zane, Borman weeps an interminable dirge. Borman’s song creates a stir in the Thelbane and there are calls for war against Amber again.

 

2)                Council Chamber: Juan talks with Lucanus of Diptera and other Doves; he feels the situation slipping away from him and after they exuent he orders the assassination of Borman by a Spandrel assassin.

 

3)                Queen Cymnea of Amber returns to her old house of Ascaris with her grandson, William; Cymnea rails bitterly about how her lord has spurned her and turned her from both his bed and his Court but that her children will yet ensure she is restored to her throne.

 

4)                Queen Cymnea intrigues within her house and within the Courts to foment war against Amber in revenge for Oberon spurning her; she marries Art mac Daghda of House Barimen.

 

5)                Juan, feels his support slipping; with the return of Cymnea he is faced with the overt realisation that his peace policy with Amber (which is the man plank of his political credibility) is failing; in an effort to bolster his authority he abruptly sides with the Hawks, turning on the Doves, his old allies – he dismisses Lucanus of Diptera from his presence.

 

6)                Lucanus of Diptera, addresses Beldam Arachne of Ascaris, warning her that he has long felt the feebleness of her allegiance and recognises that her loyalty is wavering with Diptera’s disfavour, he demands she yields a hostage of note; Arachne denies any disloyalty and offers William, her sister’s grandson and a scion of Amber.

 

7)                In the throne room of Diptera Cymnea prepares to give William in to the care of the House

Cymnea: ‘Now William, must you curb your tempest

Temper, and be slow to draw in this house.

Lest Ascaris be the blood you spill.’

William: ‘Good Grandmother, by your words shall I be

School’d and will fain Ascaris to disgrace,

For it is as dear to me as Amber.’

<enter Psychomorpha and Lucanus>

Cymnea: <to Psychomorpha> Kaiser and Kaiserin of Diptera,

Ancient and Foreboding; august mother,

I present William, son of my son

Finndo, by King Oberon of Amber.’

Psychomorpha: ‘William, to Diptera welcome! Fear

No ill; this house holds no hate for Amber.

As a mother shall I be to you, and

I shall ensure thou art school’d in all things

Becoming a gentleman of your blood.’

William: (on bended knee) ‘And it please your Grace, I am your servant.’

Psychomorpha: ‘Let him be given the lesser passwords

For Will’m of Amber has our favour

And the freedom of our House of Diptera.’

Lucanus: ‘And I, Kaiser of our House, swear this bond,

This lad I shall preserve against all harm.’

William: ‘And for my part, let my honour be my

Bond; I shall not draw my blade in rage

And your hospitality defile with

The innocent blood of kind Diptera.’

<exuent Psychomorpha and Lucanus>

Cymnea: ‘Farewell, grandson! I would say ‘fear not’, were

It not that I know your heart knows not fear.

But should you sicken for the company

Of your kin, know that none loves you more than

Your grandmother. Constant watch shall our House

Keep over you; soon we shall meet again.’

William: ‘Farewell my Queen. As a true Prince of the

Blood of Amber, I will bear myself most

Straitly, that when you hear my name, you shall

Be proud to own Will’m as your grandson.’

Cymnea: ‘Proud I am and prouder I shall yet be.

Go now, ere I disgrace us with a tear!’

 

8)                Juan sings a moving soliloquy about how he has turned his old friends, the Doves, away but the Hawks refuse to countenance his new, aggressive policies, so he finds himself friendless and alone, he realises that he is no longer High King in anything but name – the Council file in and he announces that his time is done and he intends to fall on his sword to make way for a successor, but Dagobert of Lanfranc tells him to bide a while yet and the Rimlords will tell him when it is time for him to go.

 

9)                Magnus intrigues with Hess of Karm, successor to Borman:

Magnus: ‘Does Karm still vengeance seek against Amber?’

Hess: ‘By the Serpent’s venom’d fang, we do!’

Magnus: ‘And would you spite your old adversary,

Lucanus of Diptera?...

Hess: ‘…You know it!’

Magnus: ‘Young William is hostage to ensure

Ascaris’ loyalty to Diptera.

Yet he is allowed a long leash – it seems

My mother has a fondness for him – she

Calls him her page and likes to keep him near.’

Hess: ‘Heard I rumour that your ichor, in part,

Is Dipteran, yet thy face shows it not!’

Magnus: ‘For such mercies small I thank the Serpent.

Now young Will’m may be found wandering

The halls of Diptera; of subtlety

He has little. Were a tyro from Karm

There encounter him, a duel could be

Contrived with ease… A dead Will’m, in part,

Would avenge your cousins slain in Amber

And ‘tween our opponents drive a wedge.’

Hess: ‘But how might Karm’s youthful hothead enter

Kaiser Lucanus’ vast and mighty halls?’

Magnus: ‘I am sure a son need have no reason

To meet his dam; while I with my mother

Am closeted, were said tyro in my

Train, he might take license to seek a fight?’

Hess: ‘Tis a good plan! Karm has just the hothead;

Tybalt provokes many duels within

Karm, and is expendable. Very well!

It all shall be compassed as you suggest!’

 

10)             Magnus intrigues with Abramelin of Sawall, Arachne of Ascaris, Dagobert of Lanfranc, Hinkon of Ku’urkil, Renfrew of Zigo and Victoria of Hendrake – he will give all of them high office once he is High King – again in prose,[ mainly because I didn’t have time to put it in to something more extravagant].

 

Dagobert: ‘What of Diptera?’

Magnus: ‘Diptera will not stand in our way’

Hinkon: ‘Are you mad? ‘Lucanus hates your guts!’

Arachne: ‘Let us put it this way… We anticipate that Diptera soon will not be.’

Renfrew: ‘If you can eradicate Diptera, who are we to stand in your way? But I will be fascinated to see you try…whatever the outcome’

<Magnus and Arachne exchange knowing smiles>

 

11)              the court of Diptera, enter Tybalt and William from opposite sides of the stage, both bearing bucklers covered in black cloth, accompanied by their friends

Tybalt: ‘William, the love I bear thee can afford

No better term but this: thou art a demon!’

William: ‘Tybalt, the love I bear the Kaiserin

Doth much appease my appertaining rage

At such a greeting. Demon am I none;

Therefore, farewell; I see thou knowest me not.’

Tybalt: ‘Boy, this shall not excuse the injuries

Osric did to Karm; therefore turn and draw,

For I am sworn to spill thy ichor red.’

William: <drawing> ‘Reluctant am I for this fight, yet in

His rage Tybalt would run me through without

I parry, yet to slay him not I will

Assay, for the honour of my sworn bond.’

<they fight, sparks flying from their swords for a few minutes, Tybalt falling back two steps before they both separate for a breath – it is of course play-fighting, not a real duel>

Tybalt: ‘Someone has school’d the boy well, I cannot

Pass him with the blade. But hark! The sparks of

Our metal are seen and already our

Betters rush to intervene. Yet Will’m

Must die enow or else I am foresworn.

Pon the Logrus shall I call, and in his

Mind, to hand betray and lead guard astray,

Let play the Tentacle Intangible.’

<Tybalt rips the cloth cover from his buckler to reveal a riotous design in many colours of wavy stripes emanating from a central eye>

William: ‘What devilry is this? In my mind words

I hear, yet none are here to speak; my blade

Obeys not my will – Tybalt breaks the code

And wields powers arcane! I must counter

With Amber’s Eidolon or be undone.’

<William rips the cloth cover from his own buckler to reveal a labyrinthine design in black and white – as he raises the buckler a massive crescendo of drum rolls builds and small figures, children perhaps, rush from behind William bearing a sheet of black cloth that they carry over both protagonists, bundling them up and in to a hatch in the floor, which sinks away – the curtain falls on Act IV amidst eldritch offstage screams>

 

Interval – D [Hugo escorts Constance and Darig for the final scene]

 

Act V

1)                  Cymnea is brought news of the destruction of Diptera by the destructive energies of the Eidolon of Amber by Magnus and Beldam Arachne of Ascaris, who reports that everything has gone to plan; Queen Cymnea urgently asks after her grandson and Arachne replies with a smile that William has been retrieved from the Abyss, little harmed but wiser; Magnus replies that not everything worked out to plan, he was unable to pluck his mother from the furore because the rage released by William proved more destructive than he’d imagined, he was barely able to save himself.

 

2)                With Diptera destroyed, Juan is given leave to depart the High Kingship; in a moving aria he mourns that he only tried to govern Chaos to the best of his ability to restore its fortunes from the disasters of the Patternraise War, then he falls on his sword.

 

3)                The Rimlords elect Magnus as High King, who promptly names the new Rimlords as Abramelin of Sawall and Arachne of Ascaris.

 

4)                In another moving aria, Yusuf realises Magnus has betrayed him and House Abal,

 

Yusuf: Verily thou art true to thy name, easily swayed.

 

[Augustus Swayvil has apparently slept through the entire performance but at this he starts and eyes the stage suspiciously – the mutter in the cheap seats confirms that they understand that Magnus is meant to be Augustus of Swayvil but it is not clear if Augustus realises this.]

 

Then House Abal slowly file in.Said passes Yusuf a vial of poison. As Yusuf dies, convulsing, Said sings a jingoistic aria in which he offers to lead House Abal to victory against Amber

 

5)                Magnus is crowned High King of Chaos: in his acceptance speech Magnus announces renewal of the War against Amber, and that he has already negotiated an alliance with Hell and everyone erupts in applause, heartily sick of Juan’s policy of appeasement; then Magnus calls for the Norns to make prophecy about his reign and the 3 hags from the first scene come before him to offer prophecy

 

Urdr: ‘To Augustus I, Urdr, say Long life; long reign; King from this day’

 

Verdandi: ‘Verdandi sees War, woe and pain but Amber falls within your reign’

 

Skuld: ‘Prophesie not I, the last Norn; Skuld yields to one yet to be born’

 

<The Portent Phantom descends from the ceiling on a harness where spotlights illuminate him amidst smoke and glitter bombs over Magnus on the stage throne.>

 

Portent Phantom:‘Magnus Matricide, King on High;

You gained your throne through lie and knife.

But spurned are they who set you high;

Unmourned is she who gave you life.

 

Long shall you reign while justice sleeps;

Yet heavy weighs a stolen crown.

Thy mother’s ghost unshriven weeps;

Your rule’s course lieth ever down.

 

So fear friends who now wash your feet:

Yourself shall fall to knife and lie

And in your dotage and conceit,

Die with my dagger in your eye!’

 

This is the official end of the Opera – perhaps there might have been a closing narration by Dworkin and Suhuy or there might not, however events actually ended as follows…

 

The Portent Phantom hangs over the stage throne, suspended on wires of course, facing the Royal Box. The High King has apparently slept through most of the performance, but now the High King rises precipitously in the Royal Box, flanked by close courtiers, including the Vizier, and his guards,

 

Whone (in Sawall box):              “The King rises!”

Augustus (in Royal box):            “Give me some light!”

Vizier Mantissa  <clapping hands>:       “Lights, lights, lights!”

Augustus:                                 “No! It did not happen that way. It is Lies!

                                                Arrest him! Vile slanderer! I’ll have his tongue!”

 

There’s a general movement by some Demons toward the stage. At that moment there’s a strange swhooshing noise and a misshapen black figure descends from the roof of the Opera House, seizes Darig from his harness, rips him from his harness and lofts him upwards screaming, “’Anctuary! ’Anctuary!”

 

The Portent Phantom and the strangely misshapen black figure rise to the ceiling where the generated mists conceal them and they vanish. The Vizier starts quieting the King.