The Voyage of the Joyous Venture
Part
23
Ichiro again, where did you buy that plasma gun?
March 4th/5th
In the aftermath of
their day trip the crew indulge in research as best fits their character.
Robert and Miho read up on Pentapods: they learn that
the Pentapods can detect the presence of drones
(which are about 4ft long) and 'fade' into the background when one approaches.
They are able to study footage of this.
Miho discusses her idea
of showing certain 'Ancient' symbology to the Pentapods. The idea is to pick images which illustrate recurring
themes in Ancients based/inspired artwork. Komiko agrees with the idea. It will
take about a week to modify a submersible with a display screen.
Andi tries and fails to construct a program which can extract
recurring patterns from Pentapod communication.
However Pentapods communicate at high speed, there is
relatively little footage, and she doesn't have long. Moreover Pentapods see five colours where humans only perceive
three. The existing imagers and the submersible camera are not equipped to detect
the full range.
The crew discuss
inconclusively whether they should try to talk to the scientist who was
attacked by Pentapods when trying to communicate with
them with flash-cards. At any rate this would have to take place once they
leave the island.
They agree that in
future they will all wear recording headsets when in the field in order to
increase the footage of Pentapod communication and,
hopefully, actually have footage of both sides of a conversation.
Antonio talks to Kemal, Stern and Wrolf: they
discuss Pentapod attack strategies and whether these
have become more sophisticated, in particular whether they now take firearms
into account. The consensus is that they have generally stuck to soft targets. Wrolf reveals that there is considerable local resentment
against the research base for revealing Pentapod
intelligence. He mentions terrorist attacks on the mainland and seems to
anticipate that there will be trouble at the research centre. He is convinced
the Pentapods have some means of transportation.
Komiko, never good at
concealing emotion, is clearly anxious and suspicious. She spends the morning
closeted with Professor Zheng then marshals the crew
to a separate location to the base staff. Everyone is present except Kemal, whom Antonio suspects is in
the security cabin.
Antonio spots a boat
coming round the headland from the mainland then realises there are two small
fast boats. The jet is coming in. Everyone switches on their imagers and
headsets.
The Helijet
touches down.
As everyone gets up,
Sam Houston and Ichiro del Fuego
can be observed arguing. They both look shocked. Antonio leads the Joyous
Venture crew to comparative safety, pretty much where all the civilians are
heading, at the centre of the buildings on the island. Komiko is shaking.
More people emerge from
the aircraft and Ichiro starts organising the hunt for survivors. Stern is
despatched to inquire about Komiko on Ichiro's behalf. Kris and Robert agree
that Robert should not have got out of bed.
Martin and Antonio go
up in the helijet with Stern's big gun to check for
"hostile survivors". They find a body in the water near the remains
of the front boat which is less damaged (about half remains). The survivor
appears to be breathing and is returned to land with them. The general
conclusion is that the plasma guns were probably black market and exploded when
they were fired.
Ichiro, Houston and two
others are to stay at the research centre. They plan to sleep in the refectory;
Ichiro has brought a camp bed.
Kemal and Stern are convinced that the attack was an inside job
and want to interrogate the survivor.
Attempts to discuss the
situation with Komiko are futile. She is incommunicado in her room, possibly
crying. Sangiv, clearly exasperated, describes her as a "flake". The
crew therefore must await a decision on whether they will stay or leave
immediately and are left to their own devices in terms of how they intend to
behave towards Ichiro.
Ichiro is keen to help everyone relax after all the excitement and improvises a cinema. He shows his favourite Anima which are essentially Roadrunner movies 150 years old. These were made by an actual ACME company and Wile E. Coyote gets to win about 50% of the time in order to promote the brand. The Anima themselves are all CAD generated. Miho gets to sit next to Ichiro and have all this explained to her.