Peter’s Diary part 20: The Awakening pt 1

in Brave New Worlds

 

The Awakening – New Year’s Day 3659 – (The Ebbs, New Amber)

Peter woke up a few hours ago. He’s wandered around this ghost town that is The Ebbs. By now, he’s somehow decided on the name in his mind.

 

He’s seen absolutely no one, but just occasionally he feels a fleeting ‘presence’. He’s wondering if this place is haunted. He’s known places like that in shadow, especially near Faerie, but this feels very different, more ‘real’.

 

It looks a lot like Amber in some ways; in others it’s very different. Somehow Peter knows this is Amber and that it’s ruled by Random. He feels it in his bones – this is Random’s Amber, as opposed to the Amber that was Oberon’s.

 

By now, intent on exploring this city in full, Peter finds himself on one edge of the Ebbs, looking at some sort of park within the urbanisation. It’s not a large park, more Russell Square than Regent’s Park, but there’s a hint of some genuine wildness about it.

 

Peter’s just thinking about crossing the canal and avenue separating it from The Ebbs, when he spies one of Bathsheba’s Palace guardsmen sitting on the bank of the canal. His armour lies strewn around him, along with his footgear, and he’s kicking his feet in the water.

 

The buildings surrounding the square still have that slightly dream-like feel to them, as if, when you turn your head away, they’ll jump around and rearrange themselves.

 

Peter shakes his head at the fanciful notion and hails the guardsman from a distance away, careful not to scare him or cause him to run.

 

Approaching closer, once he’s sure that the guardsman has seen him, Peter smiles and addresses him.

 

Janath, isn’t it? You were with the Princess Bathsheba at the Pattern. Is she here in this city? Where are the others?” Peter’s hand rests gently on his rapier, but his stance is relaxed and unthreatening; more the habitual wariness of the warrior in an unfamiliar place.

 

Janath looks up, startled. He shakes his head as if he’s not quite sure what he’s seeing. He rubs his eyes like he’s just waking up. “I don’t know, my…my lord. You’re the first person I’ve seen. Am I dreaming?”

 

“If you are dreaming, then I am just a figment of your imagination, and with the greatest of respect, your imagination is not that developed.”

 

Peter thinks Janath throws him an odd knowing look but it’s so fleeting, he immediately wonders if he imagined it.

 

The smile on Peter’s face takes the sting from the words somewhat. “I think that this place is real; as real as the city we remember was. And as we breathe and walk around, it becomes more real about us.” Peter grins suddenly, looking over the park. “No, Janath. I think this place is no dream, and we are creatures of reality, not wisps of someone else’s thoughts.” He nods, decisively. “This is real. And we are. So I repeat my question; where is the Princess Bathsheba and the other guardsmen who were with her?”

 

Janath shrugs. “I know not, my lord. I recall her being just a few feet away when the hunchback began wielding his magic jewel, but then everything became so distant and vague...” He shakes his head, trying to remember. “And then I woke up under a standing stone,” He gestures over his shoulder in to the park. “I’ve spent hours wandering around, till my feet hurt. And then the water seemed so cool and inviting.”

 

Janath sighs like a schoolboy told he must leave the playground for his lessons and starts gathering his armour as he rises. Peter notices his feet are extraordinarily hairy.

 

Before Janath can do more than start to collect his belongings, Peter sits down beside him and starts unlacing his own boots. “You’re right. The water does look inviting.”

 

Grinning as he dips his feet in the water, Peter says “Oh, relax, man. When the Princess appears or when danger approaches there will be time for drilling and slope arms. But here and now there is water and sunshine and these things must be appreciated. If there’s one thing you Amberites need to do, it is to loosen up and to take stock of the beauty in the world!”

 

Janath seems uncertain, just for a second, but then he grins and drops his breastplate to clatter back on the other metalware. “Yes, my lord!”

 

Staring at the ripples in the water, Peter adds, almost sotto voce; “the only thing that would improve this day would be a hamper of food, some wine, and some attractive company.”

 

“Um...I have eaten some fruit from the trees in the park, lord...” Peter can hear Janath’s unspoken offer to run and get some for him.

 

Looking up, with a wicked grin, he adds “No offence, Janath – but in this new Amber, I hope we will not turn out to be the only inhabitants.”

 

Janath, still undecided as to whether he should come or go, is opening his mouth to reply when Peter notices something odd…

 

The sunshine, which is as bright and clear as Peter has ever known, throws Janath’s shadow on the ground. It’s still only mid-morning, when a man’s shadow most accurately reflects his form, but Janath’s shadow looks curiously different, shorter, more muscular, with slightly bandy legs, quite unlike the superb specimen of manhood typical of an Amber palace guard.

 

Where the head and shoulders fall upon the road, the outline seems fuzzy, as if cast by someone very hairy, even furry. The ears seem oddly protrusive, too.

 

Stretching slightly, and masking as best he can his reaction, Peter stretches and stands.

 

“These trees over here? Do not stir yourself, good Janath. I am no princeling that needs to be fetched and carried for.” As he stands, Peter’s hand slips to his sword and he draws and takes a guard as quickly as he can. “But nor am I unobservant, and your shadow betrays you. Reveal yourself or die disguised!”

 

In response, there’s a wicked chuckle in a voice Peter feels he recognises. Then, without any transition, the veil is lifted and ‘Janath’ is revealed as Puck. He bears no weapon (a sheathed sword lies among the debris at his feet) and neither his manner nor his stance is remotely threatening (not that Peter doesn’t know Puck’s own devilish sense of humour as a threat as potentially unpleasant as any blade).

 

As the veil drops, Peter’s initial response is a burst of laughter; after all, who but a Faerie can truly appreciate being got so conclusively? His blade drops from guard to a casual stance, and Puck’s words cause him to turn his head as curiosity overcomes the risk involved in turning your back on the Puck when his heart is set on devilment.

 

“Yes,” continues Puck, “this sun at this time can be very revealing in the Shadows cast; have you looked to your own, Princeling?”

 

Peter gets no feeling of threat at this time, though he feels he may shortly become the butt of a joke.

 

Peter’s shadow is pretty much exactly as he remembers it, with the sun at a 45 degree angle, a pretty fair analogue of his real self – except for the head, of course, where there seems to be something spiky, like...a crown?

 

If it is a crown, it’s not like Amber’s, which is one of those heavy gold things, crusted in gems and weighing as much as a jousting helm, this is some sort of lighter job with fine tines.

 

It lingers for a short while before slowly fading. Peter is sure he didn’t dream it and, although he’s no expert, he doubts it’s some Faerie glamour, as lore says Glamours can’t affect shadows, which is how Peter rumbled the Puck.

 

Shaking his head like a drunk trying to sober up, Peter sheathes his sword and looks to the Puck.

 

“I saw a truth, in this place of truths, my Lord Puck. But what that truth means, I cannot tell.” Peter turns, as if to survey the horizon, but anyone with an ounce of Psyche could tell he is attempting to hide his face, so that his feelings might not be easily discovered. His hand drops to the quiver at his belt and touches the sole arrow in there, fletched with green.

 

“So riddle me this riddle, you who are jester to both the King and Queen, telling them the truths that they will hear from no-one else. When is a crown not a crown, and a Prince a Princeling?”

 

His feelings masked once more, Peter turns to look the Puck in the eye.

 

“Tell me, Puck. Who am I?”

 

Puck grins knowingly and winks rhetorically. “You know who you are...you’ve suspected it for some time now, haven’t you...?” He assumes a cross-legged position, familiar to Peter as the typical pose of someone with a story to tell.

 

“Begotten on a pervert by a usurper; you are a child of dual heritage; heir to several crowns,” he begins cryptically. “But perhaps a little history may clarify?

 

“Many aeons ago, renegades achieved the impossible and created a new Far Realm. Its nature was strange, for it spread outward from the centre, interacting with the other Far Realms to create a wondrous mythoscape never before seen.

 

“Reaction to this effrontery was mixed; some Realms were suspicious, others hostile, some enraged. War was inevitable.

 

“The new Realm stood like a young sapling in a storm, tossed and torn, and might have fallen were it not that certain older realms were more curious and allied with the New Realm to see how it might turn out. Chief among these were the Faerie Courts, led by King Dom-Daniel.

 

“With such help, the New Realm weathered the storm, promising its friends to return like with like should they be similarly threatened.

 

“The centuries passed and then, after a thousand years, the ally indeed faced a fearsome foe. In dire need, Dom-Daniel called upon the King of the New Realm to provide succour in return for the favours of a millennium previous.

 

“But such is the nature of politics that the King did not feel able to provide the aid required. Some troops were sent and a general, enough to avoid destruction, but not enough to secure victory.

 

“The conditions of surrender were hard: gems, jewels, territory, a yearly tribute (most precious). But there was one term that Dom-Daniel agreed gladly – to ally with the victors against the New Realm. Glad the King was, for he felt betrayed and insulted by a man whom he had thought his friend.

 

“But it all came to nought. There was a big battle: heroism, cunning and treachery on both sides, and in the end the New Realm won, Dom-Daniel dying upon the battlefield, falling on his own sword.

 

“Since then, relations between the two have always been wary. Such is the way of Faerie: one courtier, hight Auberon, slew Dom-Daniel’s heir and took for his Queen, Titania, a lady-in-waiting to the Old Queen who had died suddenly, quite colourfully.

 

“With the argy-bargy over, the Lords and Ladies expected an heir right quick, for both King and Queen were comely and clearly doted on each other.

 

“But years passed and no heir came. Some came to speculate on the reason for this lack; many blamed the Queen. Rumours circulated that she was incapable. It was noticed that Auberon’s manner to his Queen grew cool. Soon they ceased to accompany each other.

 

“Then one day Auberon withdrew from her presence in a dudgeon, calling his lady ‘unnatural’ and accusing her of unseemly desires. From that day, their Courts have been sundered, Seely from Unseely. Both have taken many lovers, but while Auberon’s bastards filled many a changeling’s cot, Titania remained without, venting her maternal instincts on a succession of babes stolen from cradles. Both King and Queen seemingly blamed each other for this state of affairs.

 

“With the Courts sundered, each formed its own alliances and intrigues with other Realms. Thousands of years passed. Inevitably, connections were resumed with the Newest – though never official, always via informal envoys and representatives.

 

“But then the wheel turned full circle once more; the New Realm faced its oldest enemies again and alliances were renewed. In the Courts of the Fae, plots were concocted, practical and otherwise. One lone courtier with the Ear of both, out of pragmatism, malice or jest, somehow conjured a brief reconciliation between King and Queen. This had happened oft before but, miraculously, this time there came fruit of their union.

 

“Alas! So long had they waited, many thought the Queen barren and claimed the child had been conceived by means unnatural, and clear it was to many eyes that the boy, for boy it was, was but half-elven, e’en though the father still claimed the child his heir. Those with eyes to see thought the boy a scion of the Newest Realm; mutterings spoke of Titania’s fondness for its special envoy.

 

“The parents, so proud, again had a falling out, each seeking to keep the child from the other. That same courtier counselled them both to let him spirit away the child with tokens of his parentage, that he be raised away from the ire of the Courts, Seely and Unseely.

 

“The boy grew to manhood, ignorant of his ancestry. But, as ever with the Courts, forces tugged this way and that, and inevitably he was pulled back to his birthplace. As the Lords and Ladies started to take an interest in him, it was deemed necessary by both parents that he be sent away for his safety. For one reason or another, the New Realm, having defeated its opponents, was thought safest of all.

 

“But then it occurred to some that the New Realm might not be as safe as was thought; that the day of its passing might be imminent after all – first to go as it was last to come.

 

“So, once again the Courtier Fae was sent from the Courts, charged by both parents to watch over the lad. A few choice words were exchanged at an early meeting and by the time of their next, the lad had proven the rumours regarding his mother’s infidelity true.

 

“But before the Courtier could reveal things to the young man-elf, the New Realm was plunged in turmoil and our subject was too deeply involved in matters marshal to be distracted with the intricacies of history and genealogy...

 

“But events move on. All the Far Realms are connected and the events here will be echoed elsewhere: Heaven and Hell, Chaos and Dream, Atlantis, Babylon and Fae. Kingdoms topple and are reborn; Kings totter and powers move to supplant them.

 

“Do you understand now who you are?”

 

“That I am of the blood of both Faerie and Amber is evident; proven, as you say, by my actions.”

 

Peter starts to pace, his feet still bare from the pool, his manner distracted. “But you claim that I am the child of a Prince of Amber – he who was Envoy? You claim that Bleys is my father?”

 

“I claim nothing;” Puck replies slowly, “...I speak only of appearances.”

 

Hardly able to speak, Peter draws his sword, slashing energetically but distractedly at nearby bushes.

 

And then he stops, and a completely different expression covers his face. “And ... that Titania is my ... mother?” The mental gear shifting that one goes through as one reclassifies a whole category of thoughts as ‘inappropriate’ is evident in Peter’s eyes.

 

Puck grins wickedly, he’s enjoying this. “Maternity is generally more certain than Paternity, so I’ve heard it said.”

 

It takes, it has to be said, several minutes for Peter to regain anything close to composure – minutes that are extended by the Puck’s presence. Finally, however, he gathers the tattered remains of his dignity around him and turns to face the Puck, bowing deeply.

 

“I thank you for your words, and the message you bring, Lord of Misrule. And I hope the telling of this tale in Faerie will gain you what you most desire.”

 

Somehow, Puck’s wicked grin intimates that Peter really hasn’t the first notion of Puck’s desires.

 

Peter shakes his head, and then grins. “But does Faerie still exist? Is my ... mother still alive?”

 

Puck shrugs in reply, it seems he neither knows nor cares of either. Peter’s not sure if this nonchalance is feigned. “I know not if Faerie exists, but we shall know afore we part, else our parting will be short indeed.”

 

Locking eyes with the Puck, Peter continues. “And will she acknowledge the clai... does she also share the perception of appearance that you do in this?”

 

Puck meets and holds Peter’s gaze. There’s power in those old eyes, and resilience. Peter thinks he can match one but not the other.

 

“How can a mere Puck of the Woods know the moods of a woman? You should ask her yourself – assuming she’s there to be asked.” He looks away for a moment, his expression the epitome of slyness, “...but speak soft when you ask; Titania’s moods can be fiery and you will be speaking of power.

 

“So? What now be your intent, Princeling?”

 

Peter sits, drying his feet on his cloak and starting to put his boots on. Without meeting Puck’s gaze, he points with his chin towards the city, “Break’s over, Janath. Back on duty!”

 

As if emphasising that he is done with being Janath, Puck pointedly leaves the scattered armour lying on the grass.

 

Rising to his feet, Peter nods towards Puck; not a friendly nod but one that acknowledges the connection between them; kinship if not necessarily affection.

 

“Either thou and I are the only two people in this New Amber, or there are others here. And I would know who lives, and who does not. And I would know my place in this city, for while there is no question that this is Random’s city, there is a place here for me. I can feel that. I belong here, like I never belonged in Gonfalon, like I never felt I belonged in Titania’s courts.”

 

Puck nods in sage agreement, with everything. “There is a place for you here, among others of like kind, but like calls to like and half of you is Fae.”

 

Peter runs his hands over the equipment he carries; an almost unconscious check that any warrior would recognise; is each thing I need in the place where it should be? Secured so it will not be lost but able to be deployed at need? Am I ready for what faces me?

 

His hands still moving, Peter turns to face Puck squarely, his feet solid on the ground and his face set.

 

“But when I am sure that those I care about here are safe, and that the people of this City are secure, then I will seek Faerie, and my mother. And perhaps my father also.”

 

Puck shrugs in a ‘so what do I care’ manner, but underneath Peter thinks he’s pleased.

 

“If in time you will come to the Fae, you must understand the manner of travel. Will the Princeling see his mother’s subject on his way?”

 

When Peter speaks, there is an edge to his voice, but it is one that those who know him would recognise as light sarcasm; a wish to make light of a situation but not to offend too much.

 

“I would not see anyone who stood in the favour of my mother put at risk. So I will travel with you, m’lord Puck, until such time as you are confident of your path.”

 

And Peter bows; this time without sarcasm, and it is a bow showing that he considers Puck his equal, and worthy of respect.

 

Puck leers as he bows in return. It’s kind of weird; anyone observing the two would definitely say that the Faerie is taking the piss and Peter knows Puck holds nothing in reverence, yet he recalls the inverted etiquette surrounding Lord Fandoral – perhaps this is the closest that Puck can come to genuine respect? The only other people Peter can recall him bowing to are Titania and Auberon.

 

Without the edge of sarcasm, and with a smile on his face, Peter gestures ‘away’ with his right arm. “Lead on Puck, and I will learn this from you.”

 

Puck capers away in to the park, singing a nonsense rhyme about a mouse and a goose. As Peter follows, he springs half up a tree to chase a squirrel and then leaps across to another and down to the ground. He criss-crosses back and forth and around Peter’s path with manic energy, like an insane comet in orbit about a sun, but their course takes them in to the centre of the park.

 

Eventually, even Puck’s manic distractions (and Peter begins to wonder if they are deliberately intended to distract) cannot prevent Peter from noticing they’re approaching a stone trilithon in the centre of the park.

 

Peter notes the scrawls engraved in its surface, they become clearer as he nears them; cup and whorl symbols, strange patterns, typical of Faerie. Peter realises he knows a Faerie portal when he sees one.

 

Then he becomes aware that Puck is no longer capering; things have gone quiet. Peter cannot see him.

 

Peter takes note of his surroundings – while the Ebbs are new to him, he looks for landmarks to identify this place to him in the future.

 

The sprite’s head appears, comically, from behind the stones.

“Things fall apart,

The Centre cannot hold;

So we make a new Centre,

Better than the old”,

 he spouts cryptically before vanishing again.

 

Peter approaches the stone. “So this is the test, Puck? Here is a gate. How do I open it?”

 

Puck’s head appears again, this time the other side of the trilithon, though Peter doesn’t know how he crossed from one side to the other without being seen through the gap in the middle. “As I am an honest Puck, there’s a trick to it...let’s see what you can see...”, and he’s gone once more.

 

As he muses aloud, Peter starts looking not only at the stone, but at the flows of magic around it.

 

Though Peter’s magic is all about illusion, nonetheless he can sense the flows of other magics when he sets his mind to it. Peter’s been schooled in the sorcerous arts, whereby magical energy is conveyed from a source to fill a construct, by which it can serve a purpose. However, what Peter senses is completely different; the magical forces in these rocks is innate and the energy flows and whirls within are wild and chaotic.

 

Furthermore, and Peter knows it’s his Pattern initiation that reveals this to him, the physical appearance of the stones is part of a ‘cage’ which is all that holds the energy at bay. That cage is derived from the Pattern but Peter lacks the ability to sense its deeper ramifications.

 

“If this be a thing of Faerie, then does it build a bridge across moonlight in the same way that the Amberite Pattern does?”

 

Puck appears once more, this time over the top of the trilithon, above Peter’s head. “What do I know of Amber’s ‘Pattern’? The only question of any meaning here is; can we open the gate?” This time he doesn’t disappear but continues to leer at Peter from a height of some fifteen feet.

 

Examining the stone as if it were a locked door, (and assuming he finds flows of magic around it) Peter starts to gently pluck at the magic strands that surround it.

 

Peter can immediately sense that this is not the right approach, as his tentative magical pluckings prove futile. It’s clear this thing requires some approach completely different to Peter’s illusion magic, or (as Peter might guess) any formal school of sorcery. Peter’s pretty sure Pattern could probably manipulate it, but he has no idea how and it must be more complex than direct intercession with the inner energy. On the other hand, Peter can sense that energy much more clearly than he can the Pattern element; something about it calls to him…

 

Puck chuckles wickedly, “We Fair Folk are creatures of Wild Magic. We are ruled not by law, but by custom, and so are the artefacts of our ilk. This lends us certain freedoms and talents but still there are rules…

 

“You will not open the gate by the exercise of intellect, Princeling, but when was the last time you tested your intuition?”

 

Peter nods, as if accepting a lesson from a teacher. “Every time I pick up a sword, Puck.” And with that, he walks directly towards the stone, trying hard not to imagine how stupid he’s about to look walking straight into a big rock.

 

As he paces forward, Peter realises something is wrong. Something inside him is trying to do something but the gate is not responding. His hand comes to rest lightly on the rock as he halts just in time to avoid bloodying his nose. It’s the wrong approach, but it’s much closer than his sorcerous dabbling – and he learned something…two things.

 

Firstly, whatever he should be doing is metaphysical rather than physical, but it is of the same order as just nonchalantly walking forward.

 

Secondly, something inside him tried to make the right manipulations but was prevented from doing so, as if something was in the way. The only thing Peter can sense that might do this is the Pattern element on the surface.

 

Puck eyes him knowingly – he doesn’t want to miss the imminent moment of truth.

 

Peter studies the flows of magics around him, and the constraining issue of the cage. Suddenly, he nods. “It’s not like Gonfalon, is it? The wise of Amber don’t want just anyone stumbling away from their fair city and into our wilds. They’ve placed a grate across the fire that only they know how to release.”

 

Puck grins and capers on top of the rock – he may be slow but the boy’s got it.

 

Peter brings to heart the resolve and the focus that let him walk the Pattern in the first place. “There is a locked gate barring the path, Puck. And first that must be opened.”

 

Puck replies, in typical doggerel,

“The Princeling spies the truth aright;”

“Upon the gate is set a lock.

Thrice Royal heir must key the rite

And loose the spell placed on this rock.”

 

And in the way that Aylwin taught him to Shadow-walk, Peter bends his mind towards the cage that surrounds the path to Faerie.

 

Fastening his mind upon the task in hand, Peter imagines the cage unravelled, just enough to access the Faerie energies within. Then he turns and commences to walk widdershins around the rock.

 

The process is slow and painful but he knows it will come easier with practice. Imperceptibly, he feels the nature of reality subtly transform around him. He gets the feeling this is really only possible because this new ‘reality’ is still congealing. In a few hours, it will take something much stronger to work this change.

 

Though perhaps just the fact of Peter moving things will mean it won’t be quite so ‘set’ in the future?

 

But as he nears the end of the seventh circuit, he feels his desired reality slot in to place – he briefly imagines an audible click. He knows the gate is now accessible.

 

As if to illustrate the point, Puck vaults lithely down from his perch to dangle briefly from one arm, like a gibbon, as he makes his farewell.

 

“And, as I am an honest Puck, now the Princeling grants escape from this Amber realm, we will meet again as friends – else the Puck a liar call. Good morrow, one and all!”

 

And with that he swings through the arch in to green mists that roil for an instant and are gone – and so is he!

 

Peter stares in disbelief at how he’s been tricked, and then, from deep in his belly, a laugh breaks free so long and incapacitating that it leaves him rolling on the ground in a combination of mirth and agony.

 

“You Cad! You Cur! You absolute genius!”

 

Still laughing, Peter returns to his feet, draws his sword and salutes the departing Puck.

 

“Friends it is, next time we meet. And I hope that our friendship will last long enough for me to get the better of you as comprehensively as you have of me on this day!”

 

As he sheaths his sword, the one thing that might bother Peter’s peace-of-mind is that ‘liar’ is one of Puck’s more common epithets, from those that know him.

 

Reaching out with his senses, as he did before, Peter calms himself and assesses the gate – it would not do to leave it open, but it should remain unlocked for those with the will and the ability to make it through. Retracing his steps, seven times around he walks, making sure than none will wander through this gate unless it is their wish.

 

When he believes himself done, Peter looks to the City of Amber, still forming around him. His gaze takes in the half drawn artworks on the walls of the Ebbs, and the gentle lapping of the waters around this stage.

 

“Time, I think, my dear Puck, to find out more of this place.”